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Enter Into The Rock - Max Plänck - Kill The Pain (Cassette)


Download Enter Into The Rock - Max Plänck - Kill The Pain (Cassette)
1985
Label: Not On Label (Max Plänck Self-Released) - none • Format: Cassette • Country: US • Genre: Rock • Style: Heavy Metal


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8 thoughts on “ Enter Into The Rock - Max Plänck - Kill The Pain (Cassette) ”

  1. View credits, reviews, tracks and shop for the gram Vinyl release of Kill The Pain on Discogs/5(11).
  2. Kill the Pain Max Plänck. Type: Demo Release date: Catalog ID: N/A Label: Independent Enter into the Rock (loading lyrics) 7. Starscream Band members; Spike: Bass: Eddie Forcier: Drums, Vocals: Rod Freeman: Guitars, Vocals: Add; There are no reviews for Kill the Pain yet. You can write one. Re-released on CD in.
  3. Find many great new & used options and get the best deals for Max Plänck ‎– Kill The Pain at the best online prices at eBay! Free shipping for many products! Hits: The Best Rock & Roll Album / Various [New CD] Boxed. $ $ Free shipping. Popular. Cage - Kill The Architect [CD] Please enter a number less than or equal Seller Rating: % positive.
  4. Dec 12,  · Kill the Pain, an Album by Max Plänck. Released in on n/a. Genres: Heavy Metal/5(1).
  5. Jul 14,  · The vinyl release of, ‘Kill The Pain’ from Buried By Time And Dust Records includes an eight-page booklet full of old photos and fanzine interviews. One interview in particular features this gem from Rod Freeman: “Metal goes way back before it was even called metal. Metal is true rock ‘n’ roll.
  6. Max Plänck's profile including the latest music, albums, songs, music videos and more updates.
  7. Independent record label based in Diablo, California (USA). Specialized in vinyl reissues of out-of-print releases, demos, and material previously only available as bootlegs.
  8. Fromthen on, there was life before the pain and life after the pain. Before your pain, the view was clear; God seemed so near. After your pain, well, he was harder to see. He seemed a bit distant harder to perceive. Your pain distorted the view—not eclipsed it, but distorted it. .

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